{"id":5808,"date":"2021-12-13T12:19:32","date_gmt":"2021-12-13T10:19:32","guid":{"rendered":"https:\/\/afilm.impressme.com.gr\/to-keli-miden\/"},"modified":"2022-04-15T12:15:33","modified_gmt":"2022-04-15T09:15:33","slug":"cell-zero","status":"publish","type":"page","link":"https:\/\/afilm.impressme.com.gr\/en\/cell-zero\/","title":{"rendered":"CELL ZERO"},"content":{"rendered":"

[vc_section][vc_row][vc_column width=”2\/6″ el_class=”afilm-movie-single-l-col”][vc_single_image image=”5634″ img_size=”full” alignment=”right” el_class=”afilm-film-poster-inner” css=”.vc_custom_1647954503250{margin-bottom: 15px !important;}”]

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div>[vc_btn title=”\u25bc” link=”url:%23a-film-movie-gallery”][\/vc_column][vc_column width=”4\/6″ el_class=”afilm-movie-single-r-col”][vc_column_text el_class=”afilm-movie-single-category”]CATEGORY<\/span>[\/vc_column_text][vc_column_text el_class=”afilm-movie-single-name”]CELL ZERO[\/vc_column_text][vc_column_text el_class=”afilm-movie-single-text-intro”]Focusing on the violence and torture of the EAT\/ESA Military Police Headquarters, the film examines the impact of the Greek junta on a group of people with differing political convictions.[\/vc_column_text][vc_row_inner el_class=”afilm-extra-description-movie”][vc_column_inner width=”1\/2″][vc_column_text]PRODUCTION:<\/strong> ALEXANDROS FILM Co. Ltd[\/vc_column_text][vc_column_text el_class=”afilm-movie-production-year-outer”]<\/p>\n

YEAR<\/span>\u00a0 \u00a0 <\/span>\u00a0 1975<\/span><\/p>\n

[\/vc_column_text][vc_column_text]Format:\u00a035 mm, black and white[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”afilm-extra-description-movie-r” width=”1\/2″][vc_btn title=”GET THE MOVIE” style=”flat” shape=”square” align=”right” link=”url:%23″ el_class=”afilm-get-the-movie-btn”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][\/vc_section][vc_section css=”.vc_custom_1638789399999{margin-top: 120px !important;}”][vc_row disable_element=”yes” css=”.vc_custom_1647953595122{margin-bottom: 120px !important;}”][vc_column][vc_text_separator title=”DIRECTOR’S APPROACH” title_align=”separator_align_left” align=”align_right” color=”custom” el_class=”afilm-title-with-separator-awards afilm-paragoges-title-spacing” accent_color=”#000000″ css=”.vc_custom_1638789419231{margin-bottom: 70px !important;}”][vc_row_inner][vc_column_inner][vc_column_text]The great Greek author Nikos Kazantzakis who was born at the end of the 19th century and died in 1957, believed that two things determined his life: dreams and travels. The film begins with a dream he had a little before he died, a nightmare which ends with the appearance of Domenicos Theotokopoulos (El Greco). The film ends with a liberating dream full of light. Following his dreams, Kazantzakis starts writing the chapters of his autobiography “Report to Greco” with the support of his intuitive companion Eleni. All these chapters will be brought to life in a flashback, as a continuous journey to the places he visited in his lifetime: Mount Athos, Mount Sinai, Paris, Vienna, Berlin, Moscow, Antibes and Beijing and at the same time, representing the “spiritual” path of the author who keeps searching, wanting to understand Christ, the Buddha, Nietzsche, Lenin, and his ancestor Odysseus and the big womb which is represented by the Aegean Sea and the Greek Light. Armed with the consciousness of his surroundings and his spirituality, he completes his \u201cpath\u201d with the “Cretan glance” that eventually leads him towards freedom by defying death. Through this long journey of the soul towards freedom and after facing many difficulties and adventures, Nikos Kazantzakis succeeds in creating his universal work. This great work is the pillar of the Greek spirit today and during these difficult times we are going through, it can succeed in comforting and consoling the tormented souls of future viewers.<\/p>\n

Iannis Smaragdis – Director<\/em><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1638789520387{margin-bottom: 120px !important;}”][vc_column][vc_text_separator title=”CREDITS” title_align=”separator_align_left” align=”align_right” color=”custom” el_class=”afilm-title-with-separator-awards afilm-paragoges-title-spacing” accent_color=”#000000″ css=”.vc_custom_1638789489575{margin-bottom: 70px !important;}”][vc_row_inner el_class=”afilm-cast-table-styling”][vc_column_inner][vc_column_text]<\/p>\n\n\n\n\n\n\n\n\n\n\n
Director<\/td>\nIannis Smaragdis<\/td>\n<\/tr>\n
Script<\/td>\nIannis Smaragdis<\/td>\n<\/tr>\n
Cinematography<\/td>\nNikos Smaragdis<\/td>\n<\/tr>\n
Editing<\/td>\nGeorge Korras<\/td>\n<\/tr>\n
Sets and costumes<\/td>\nGeorge Ziakas<\/td>\n<\/tr>\n
Cast<\/td>\nCostas Kazakos<\/td>\n<\/tr>\n
Sofia Seirli<\/td>\n<\/tr>\n
Vangelis Kazan<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1638791921699{margin-bottom: 120px !important;}”][vc_column][vc_text_separator title=”DISTINCTIONS \/ FESTIVALS” title_align=”separator_align_right” align=”align_left” color=”custom” el_class=”afilm-title-with-separator-awards afilm-paragoges-title-spacing” accent_color=”#000000″ css=”.vc_custom_1647954551246{margin-bottom: 70px !important;}”][vc_column_text el_class=”afilm-movie-list-festivals” css=”.vc_custom_1647954571188{margin-bottom: 70px !important;}”]FESTIVALS<\/strong><\/p>\n

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  • Official participation at the International Film Festival of Karlo-Vivary, Czechoslovakia in 1976<\/span><\/li>\n<\/ul>\n

    [\/vc_column_text][vc_column_text el_class=”afilm-movie-list-awards”]DISTINCTIONS<\/strong><\/p>\n

      \n
    • Honourable mention at the Thessaloniki Film Festival in 1975<\/span><\/li>\n<\/ul>\n

      [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1650004950040{margin-bottom: 120px !important;}”][vc_column][vc_text_separator title=”REVIEWS” title_align=”separator_align_left” align=”align_right” color=”custom” el_class=”afilm-title-with-separator-awards afilm-paragoges-title-spacing” accent_color=”#000000″ css=”.vc_custom_1650004895321{margin-bottom: 70px !important;}”][vc_row_inner el_class=”afilm-cast-table-styling”][vc_column_inner][vc_column_text el_class=”afilm-movie-list-reviews”]<\/p>\n

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      • CELL ZERO is a warm, youthful and densely-woven film, a human drama that brings tears to the eyes.
        \nMaria Papadopoulou, Ta Nea, 26 September 1975<\/strong><\/em><\/span><\/li>\n
      • … This is another step forward for the role of the Greek cinema, created by a young director who knows how to put great humanity and gentleness into his work.
        \nKostas Parlas, To Vima<\/strong><\/em>
        \n<\/span><\/li>\n<\/ul>\n

        [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1638794899211{margin-bottom: 120px !important;}” el_id=”a-film-movie-gallery”][vc_column][vc_row_inner][vc_column_inner][vc_column_text el_class=”afilm-storyboard-title” css=”.vc_custom_1638794788185{margin-bottom: 80px !important;}”]<\/p>\n

        GALLERY<\/p>\n

        [\/vc_column_text][vc_masonry_media_grid element_width=”6″ gap=”0″ initial_loading_animation=”fadeIn” grid_id=”vc_gid:1650013977169-c0860aed-7f36-6″ include=”6369,6381,6379,6377,6375,6373,6371″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][\/vc_section]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

        [vc_section][vc_row][vc_column width=”2\/6″ el_class=”afilm-movie-single-l-col”][vc_single_image image=”5634″ img_size=”full” alignment=”right” el_class=”afilm-film-poster-inner” css=”.vc_custom_1647954503250{margin-bottom: 15px !important;}”][vc_btn title=”\u25bc” link=”url:%23a-film-movie-gallery”][\/vc_column][vc_column width=”4\/6″ el_class=”afilm-movie-single-r-col”][vc_column_text el_class=”afilm-movie-single-category”]CATEGORY[\/vc_column_text][vc_column_text el_class=”afilm-movie-single-name”]CELL ZERO[\/vc_column_text][vc_column_text […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5808","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/afilm.impressme.com.gr\/en\/wp-json\/wp\/v2\/pages\/5808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/afilm.impressme.com.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/afilm.impressme.com.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/afilm.impressme.com.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afilm.impressme.com.gr\/en\/wp-json\/wp\/v2\/comments?post=5808"}],"version-history":[{"count":14,"href":"https:\/\/afilm.impressme.com.gr\/en\/wp-json\/wp\/v2\/pages\/5808\/revisions"}],"predecessor-version":[{"id":6726,"href":"https:\/\/afilm.impressme.com.gr\/en\/wp-json\/wp\/v2\/pages\/5808\/revisions\/6726"}],"wp:attachment":[{"href":"https:\/\/afilm.impressme.com.gr\/en\/wp-json\/wp\/v2\/media?parent=5808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}